Wind moves through the grass that has overgrown rows of wooden benches. In a wider shot, three adolescent youths are engaged in a childish mocking game. It intensifies while the film itself suggests ways of not being fully present. A visual effect evokes mental absence, a dream state, or an elusive strategy to escape the escalation of conflict.

This work insinuates group psychology, peer pressure, nudging, bullying, and mobbing rhetorics of physical behaviour. Micro-aggressive gestures begin as colloquial, turn harsh, and result in an elusive presence. The VFX may be read as a symbol of a mental state of resistance through mental disentanglement. Another reading may see a mental recall of past events that follow a recurring pattern. The film may suit contexts dealing with issues of nonverbal conflict, masculine performance, and unexpected strategies to avoid physical extremes.

This film offers a visual argument for layered conceptions of experience and anticipation.